The Genuine Show! Rehearsal, 12 March 2015.

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Good Evening:

Load-In Day. A phrase that frequently evokes terror in the theater world, Load-In Day refers to one of the physical events in theater, when the entire cast and crew combine to move all of their costumes, props, special equipment, cases of 8 oz. bottles of water, and other sundry heavy items into the theater they will call home during the show’s run. Fortunately, we have an excellent director in Wesley Cayabyab, whose organization worked so well we only needed an hour to get everything done.

So we had our first full run-through.

And all I can say is “Wow.”

The Cast of The Genuine Show! Listening to Instructions from Their Director

The Six Actors of The Genuine Show! Listening to Instructions from Their Director

“Wow” has become one of our inside jokes (from one of the plays, “Jack & John & Jackie & Joanie”), but here it means that I am ab-so-lute-ly THRILLED with the work the cast has done. They bring more than creativity to their acting; they always surprise me with interpretations that I would never imagine in a hundred years, yet whatever they do remains true to the script.

Incidentally, I took all of these shots with my iPhone 6 Plus, which has done surprisingly well in low-light conditions, requiring only a few adjustments in iPhoto.

Sarah Galarneau & Philip Goleman in "Yes Maybe No."

Sarah Galarneau & Philip Goleman in “Yes Maybe No.”

Playwrights become pretty darn useless at this point in the production; seriously, the best help we verbose critters can provide consists of silence. At the end of the run-through, I kept it simple: “I have just one word to add, no, two. Thank you.” OK, that’s eleven words, but still really, really reticent by playwright standards.

Rehearsing "Keeping You Man in Line on the 21-Hayes." Left to right: Sarah Leight, Jocelyn Truitt, Philip Goleman, Colin Hussey (standing), Sarah Galarneau, Richard Wenzel.

Rehearsing “Keeping You Man in Line on the 21-Hayes.” Left to right: Sarah Leight, Jocelyn Truitt, Philip Goleman, Colin Hussey (standing), Sarah Galarneau, Richard Wenzel.

Keeping You Man in Line of the 21-Hayes has two unique distinctions among the plays–the only one with no dialogue and the only one inspired by one of my own blog posts! Please see this post (one of my very earliest!) for the story.

Can’t wait for Opening Night on Thursday. No jitters, just good old-fashioned excitement. If you can’t wait, either, tickets are available at Brown Paper Tickets.

Vonn Scott Bair

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